Amid the glut of corporate biopics we’ve had on our screens of late — “Air,” “BlackBerry,” “Flamin’ Hot” and so on — one for leading French champagne house Veuve Clicquot is more appealing than most. Champagne itself is sexier than a running shoe or a smartphone, for one thing, while the sinuous vineyards of 19th-century Reims are a more seductive setting for a brand-building story than a squat office block in Beaverton. “Widow Clicquot” certainly makes a virtue of its milieu and rolling landscape, richly shot throughout in dusky earth tones, and more substantively, of the rather romantic lore surrounding the widow in question.
Aged just 27 when her
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