A musical about crimes and identity; a searing drama about political and familial oppression; another about an activist searching for her missing husband; documentaries about sexual assault as told by the victim, about undoing centuries of imperialism and about Israel’s brutal treatment of Palestinian civilians in the West Bank; and a beautiful and wordless animated film about animals cooperating to survive after a flood.
These movies — double Golden Globe winner “Emilia Pérez,” “Seed of the Sacred Fig,” “I’m Still Here,” “Black Box Diaries,” “Dahomey,” “No Other Land” and Globe winner “Flow” — have two things in common: They were all made overseas and they’re all generating legitimate Oscar
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