Midnight screenings rarely come more fitting than “Baby Invasion,” Harmony Korine‘s latest experimental, unconventional and video game-like assault on the senses, which had its world premiere on Saturday night in Venice to an 8.5-minute standing ovation.
The film served up a provocative array of unique visuals: We saw our heavily armed, baby-faced criminals torturing people, dancing to Burial’s thumping techno score, chopping up huge piles of coke and giving the finger while sitting on the toilet.
Whatever it is we witnessed, the crowd seemed to lap it up. Once the hour and 20 minute movie wrapped, cheers erupted from the audience as Korine danced to the beat that
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