‘The Vourdalak’ Review: Mood and Marionettes Make for a Pleasingly Odd French Vampire Drama

Vampires are eternal, and so are movies about them. The genre shows no signs of going bloodless anytime soon, even if the oldest texts continue to inspire some of its most compelling entries. Consider writer-director Adrien Beau’s “The Vourdalak,” an adaptation of Aleksey Konstantinovich Tolstoy’s 1839 “The Family of the Vourdalak,” a foundational novella that predates Bram Stoker’s “Dracula” by more than half a century. After premiering in Venice last year, the film arrives in theaters less than a week after the trailer for “The Witch” helmer Robert Eggers’ “Nosferatu” remake dropped — a coincidence, surely, but one that’s nevertheless emblematic of the ur-texts’ enduring influence.

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