The retribution visited upon exploiters of seniors by June Squibb in current sleeper hit “Thelma” has but Nerf-ball impact compared to the brass-knuckles style of vengeance practiced by Dale Dickey in “The G.” This considerably less cozy tale has the star as a vinegary veteran of hard living who turns out to be very much the wrong person for organized criminals to safely prey upon.
Canadian writer-director Karl R. Hearne’s second feature recalls much 1970s cinema in its emphasis on gritty character detail over suspense mechanics, resulting in an ostensible thriller that’s not very thrilling. Still, its storytelling has the same grim satisfaction that drives its heroine, a woman
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