During one of the countless, often boneheaded interviews Sally Ride endured about her pioneering role in the United States space program, she schools a reporter on how to address her. “It’s Dr. Ride or Sally, but not Miss,” she says, flashing a smile that softened the lecture and much of director Cristina Costantini’s absorbing documentary the first American woman to go into space.
Throughout “Sally,” Costantini (“Science Fair”) leans into Ride’s face — the smile, the blue eyes, the moments of pensive regard — by closing in on archival images. Sometimes, she creates a palpable presence by linking footage with audio from interviews Ride gave during her lifetime.
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