As countries improve tax incentives and develop larger numbers of qualified crews and state-of-the-art facilities, Europe has become a buzzing international production hub for film and TV. With a wealth of options to choose from, how are line producers deciding where to shoot? And how are service providers attracting clients?
“It doesn’t take a lot of brain power to realize that it’s easy to move now,” says producer Rick McCallum, co-founder of Prague-based production company Film United. “For years, especially in England and the U.S., people were horrified to try shooting in Central or Eastern Europe because of the language and currency differences but now there are generous incentive
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