The wonderful Raymond Carver story “Neighbors” perfectly evoked the strange out-of-body feeling that can come from occupying another person’s home when they’re not in it — the transient thrill of living someone else’s life, and the accompanying sense that it’s a little bigger and brighter than your own. That pang, at once delicious and dismaying, colors “In Her Place,” a peculiar mixture of true-crime riff, domestic melodrama and feminist fable that marks an uneasy venture into fiction for celebrated Chilean docmaker Maite Alberdi, who landed Oscar nominations for both “The Mole Agent” and “The Eternal Memory.”
There’s more shared DNA than you might think between Alberdi’s latest and her
→ Continue reading at Variety