It takes a village to make a movie, but when it comes to producers, at best they’re stereotyped as the money people — at worst, their efforts are nullified by honorary titles handed out like Halloween candy among anyone in need of recognition. It can be difficult to discern what producers do because unlike regulated union and guild positions where responsibilities are clearly delineated, they don’t have an over-arching protective governing body. Complicating the matter is the proliferation of titles that are typically misunderstood: How many people really know the difference between what an executive, co- and line producer does?
And it’s a job that women have been doing
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