Set almost entirely during an urgent car ride, Babak Anvari’s “Hallow Road” begins as an intensely performed, deftly minimalist family thriller about two parents driving to the scene of their daughter’s accident while keeping her on the phone. That’s all you need to know going in, and all you should really learn beforehand, given how this race-against-the-clock premise unfolds, before swerving in completely unpredictable ways.
Few films have ever induced such immense tonal whiplash while exhibiting such tight formal control over their transformations. There’s a very clear boundary separating the kind of movie “Hallow Road” starts out as from what it eventually becomes, which all but cements its place
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