George Miller’s Furiosa paints a broader picture of Mad Max’s apocalyptic world while letting its heroine play second fiddle in her own film.
Image: Warner Bros.
Fury Road jolted the Mad Max franchise back to life with concentrated doses of high-octane, practically produced spectacle ripped directly out of director George Miller’s twisted imagination. The film framed its titular hero as more of an idea than a man and, by doing so, created space for one of Miller’s most
→ Continue reading at The Verge