Five years ago, French writer-director Claude Lelouch returned, for the second time, to the site of his greatest career success with “The Best Years of a Life,” an autumnal sequel to his trend-setting 1966 romance “A Man and a Woman” that felt elegiac in multiple senses — not least since it turned out to be the final onscreen appearance for both its stars, Jean-Louis Trintignant and Anouk Aimée. Anyone who assumed it might be Lelouch’s sign-off, however, was quite mistaken. He’s made three features since, the latest of which, “Finally,” seems fashioned from its title down as a sort of career summation from the 86-year-old filmmaker, but not portentously
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