After a world premiere in Tribeca’s international narrative competition, Slovenian director-writer Sonja Prosenc brings her third feature, the social satire “Family Therapy,” to contend in Sarajevo. The filmmaker’s latest provides an absurdist spin on the premise of Pier Paolo Pasolini’s “Teorema,” as the arrival of a handsome, young stranger disrupts the dynamics of an unpleasant, nouveau riche Slovenian family. While a fun watch for most of its run, Prosenc allows the narrative to spin out of control, running on past several natural endings. As with the director’s previous films “The Tree” and “History of Love,” all shot by the talented Mitja Ličen (“Small Body”), the glorious cinematography, strong acting and breath-taking
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