How many times can the characters say “cabbages” in a movie before making you want to throw cabbages at the screen? With “Bubble & Squeak,” writer-director Evan Twohy sets out to answer that question — and little else of relevance to contemporary audiences. Not all movies need to serve up profound insights into the human condition, but the ones that don’t should at least be entertaining, and Twohy’s particular strain of absurdism is not just contrived, but deeply unfunny.
Set in a small, unnamed Slavic nation (most of which appears to have been shot in Estonia), “Bubble & Squeak” begins with a silly premise, with the interrogation (by an
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