John Malkovich’s dulcet tones are the only thing that comes through clear in Mark Anthony Green’s debut feature.
John Malkovich’s dulcet tones are the only thing that comes through clear in Mark Anthony Green’s debut feature.
Charles Pulliam-Moore is a reporter focusing on film, TV, and pop culture. Before The Verge, he wrote about comic books, labor, race, and more at io9 and Gizmodo for almost five years.
Opus, A24’s new horror-tinged thriller from writer / director Mark Anthony Green, has a lot to say about the symbiotic (and sometimes parasitic) relationship between entertainment journalists and celebrities. In the film’s story about reporters tripping over themselves just to be close to an
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