“How does it feel?” is one way by which to measure a movie. But if you’ve seen “A Complete Unknown,” the Bob Dylan biopic that opened on Christmas Day, you may have left the theater singing to yourself (to the tune of “Like a Rolling Stone”): How much is reeeaaallll?
The short response is: A lot. But the long answer involves acknowledging director James Mangold’s film taking liberties in terms of a condensation of timelines, the conjoining of separate incidents, fictional character names in a couple of cases, and moments of sheer imagination and fictionalization. It’s certainly possible to enjoy “A Complete Unknown” without stressing too much over which
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