In his second theatrical film, multi-hyphenate Mehran Modiri, one of Iran’s most beloved TV satirists, turns his hand to the thriller genre with mixed results. He writes, directs and performs in the intense but increasingly contrived social issues movie “6 A.M.,” in which a small incident escalates into a big tragedy. Although the indie feature mostly looks and plays like a middling TV drama, it still paints a surprisingly critical picture of the country by showing how suddenly and completely the state can interfere with the behind-closed-doors lives of ordinary citizens.
Philosophy student Sara (Samira Hassanpour) is nervously preparing to catch a 6 a.m. flight to Toronto, where she
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