Stephen Saito

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‘Glorious Summer’ Review: Ignorance Is Bliss in Ethereal Dystopian Drama

Somewhere in a cinematic landscape that includes Yorgos Lanthimos and Lucile Hadžihalilović lies Helena Ganjalyan and Bartosz Szpak’s “Glorious Summer,” a sun-soaked allegory filled with dread in which the customs of...

‘The Baltimorons’ Review: Jay Duplass Delivers a Real Christmas Gift With a Warm and Witty Romance

“Oh wow, we can take 34th Street,” Cliff (Michael Strassner) mentions to Didi (Liz Larsen) making their way to a Christmas Eve party in “The Balitmorons,” clearly appreciating the serendipity of...

‘Forge’ Review: Jing Ai Ng Puts a Fresh Coat of Paint on a Satisfying Crime Caper

In “Forge,” writer-director Jing Ai Ng never reveals the secret recipe for the lacquer that has made it possible for Raymond (Brandon Soo Hoo) and Coco Zhang (Andie Ju) to pass...

‘O’Dessa’ Review: Sadie Sink Finds a Few Grace Notes in an Otherwise Discordant Rock Opera

There are a handful of title cards to explain the fantastical world in which “O’Dessa” takes place, but perhaps it would be more instructive if there were a few more to...

Stephen Saito

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