Stephen Saito

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‘Beautiful Evening, Beautiful Day’ Review: Voices of Dissent Rise Above Propaganda in Ivona Juka’s Reverberant and Reckless Drama

It takes a while in “Beautiful Evening, Beautiful Day” to reach Barren Island, a notorious penal colony in the former Yugoslavia where no cells were necessary and armed guards counted on...

‘Hobal’ Review: A Family of Nomads Is Unsettled by the Future in Dynamic Drama

There is a bitter irony at the heart of Abdulaziz Alshlahei’s dynamic third feature “Hobal,” which follows a family that has long sought safety in the desert, led by Liyam (Ibrahim...

‘Memories of a Burning Body’ Review: Women Rebel Against a Conservative Culture in Costa Rica’s Oscar Submission

There’s an unexpected implication when Antonella Sudasassi Furniss exposes the parameters of her film set at the start of “Memories of a Burning Body,” following lead Sol Carabello into one room...

‘The Hungarian Dressmaker’ Review: A Seamstress Feels Hemmed in by Authoritarianism in Taut Slovakian Drama

Looking back seems to offer a prescient look ahead in “The Hungarian Dressmaker,” Iveta Grófová’s compelling adaptation of Peter Krištúfek’s novella “Emma and the Death’s Head,” set in Slovakia during World...

‘Paradise at Mother’s Feet’ Review: A Trek to Mecca Starts Heading in the Wrong Direction

Good intentions have a way of leading to not-so-great places in “Paradise at Mother’s Feet,” a sweet but ultimately arduous road movie about a mother and son from Kyrgyzstan who set...

Stephen Saito

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