Siddhant Adlakha

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‘Stealing Pulp Fiction’ Review: A Malformed Homage-Cum-Heist Comedy That Over-Relies on Reference

While upbeat at a distance, self-reflexive heist caper “Stealing Pulp Fiction” seldom translates its good nature through story or style. Danny Turkiewicz’s feature debut follows a pair of best friends in...

‘Sham’ Review: Takashi Miike’s Real-Life Courtroom Thriller Ends Up Shedding Its Complexities

There’s no denying that Takashi Miike’s “Sham” is dramatically effective. However, it may be one of the rare courtroom thrillers that is, at times, too effective for its own good. One...

‘Nobu’ Review: Japanese Celebrity Chef Gets a Food Doc That Plays Like a Branded Advertisement

Among the world’s most famous chefs, Nobu Matsuhisa makes for a wildly interesting cinematic subject — or at least, he would in a more accomplished film. From documentarian Matt Tyrnauer, “Nobu”...

‘Once Upon a Time in Gaza’ Review: An Altruistic but Scattered Palestinian Crime Farce

Directed by the twin duo of Tarzan and Arab Nasser, “Once Upon a Time in Gaza” is about a collaboration of a different sort: a small-time drug scheme concocted by timid...

Siddhant Adlakha

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