Siddhant Adlakha

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‘Taghiyev: Oil’ Review: Azerbaijan’s Oscar Hopeful is the First Act of a Larger Biopic

Zaur Gasimli’s “Taghiyev: Oil” is the first film in a potential tetralogy, so it should come as no surprise that it plays like an extended first act. Azerbaijan’s 2026 Oscar entry,...

‘Black Rabbit, White Rabbit’ Review: Disqualified for the Oscars, Tajikistan Drama Is an Inviting, Meandering Meta-Narrative

Selected by Tajikistan but ultimately not accepted by the Academy to compete in the Oscar international feature category, “Black Rabbit, White Rabbit” begins ambitiously, with a famous quote from playwright Anton...

‘100 Nights of Hero’ Review: A Mischievous Fairytale Laid Low by Its Withheld Approach

Resplendent in costume and production design, but shaky in overall execution, the star-studded fantasy romance “100 Nights of Hero” is the second feature from writer-director Julia Jackman. Based on the graphic...

‘The Hand That Rocks The Cradle’ Review: A Thriller Remake That Makes Promises It Can’t Keep

With a near-total re-imagining of its source material, Michelle Garza Cervera’s “The Hand That Rocks The Cradle” layers contemporary political themes atop Curtis Hanson’s original 1992 domestic thriller, about an uncanny...

Siddhant Adlakha

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