Siddhant Adlakha

Advertisment

‘The Hand That Rocks The Cradle’ Review: A Thriller Remake That Makes Promises It Can’t Keep

With a near-total re-imagining of its source material, Michelle Garza Cervera’s “The Hand That Rocks The Cradle” layers contemporary political themes atop Curtis Hanson’s original 1992 domestic thriller, about an uncanny...

‘Gavagai’ Review: An Engrossing Meta-Drama About Racial Tensions and Modern Moviemaking

A smart, withheld story about the borders between people, Ulrich Köhler’s self-reflexive “Gavagai” chronicles on-set tensions between the cast and crew of a filmed update of “Medea” and subtle fissures caused...

‘The Man in My Basement’ Review: Corey Hawkins and Willem Dafoe Lead a Lethargic Psychological Thriller That Only Gestures at Big Ideas

The psychological thriller “The Man in My Basement” adapts Walter Mosley’s 2004 novel of the same name, but yields little by way of intriguing psychology or thrills. Set in the quaint...

Siddhant Adlakha

Advertisment