Siddhant Adlakha

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‘Atropia’ Review: Alia Shawkat Trains Troops Assigned to a Fake Iraqi Town in a Self-Reflexive War Comedy That Peters Out

Based on her 2020 short “Shako Mako,” Hailey Gates writes and directs “Atropia,” a unique war satire about western views of the Middle East. While both its lampooning of U.S. militarism...

‘Rabbit Trap’ Review: Dev Patel Leads a Folk Horror Tale With Acoustic Flourishes That Fail to Stir Fears

In the Welsh folk-horror “Rabbit Trap,” debuting director Bryn Chainey creates an disquieting acoustic atmosphere and guides his trio of actors to powerful performances. However, these flourishes serve a muddled piece...

‘Behind the Mist’ Review: A Spiritual Doc That Finds Parallels Between Filmmaking and Mountaineering

There’s a haunting quality to Ecuadorian Oscar submission “Behind the Mist,” Sebastián Cordero’s intimate documentary on scaling Mount Everest. On one hand, Cordero’s twinning of mountaineering and filmmaking reveals spiritual similarities...

‘From Ground Zero’ Review: Palestine’s Oscar Entry Compiles 22 Video Diaries From Gaza

A filmmaker burns his clapperboard for warmth. A schoolteacher scavenges to feed his students. A stand-up comedian arrives at a gig to find the venue bombed. In “From Ground Zero,” Palestine’s...

Siddhant Adlakha

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