In Dawn Porter’s powerful documentary “When A Witness Recants,” Ta-Nehisi Coates presents — both as an executive producer and occasional subject — a stirring tale of American injustice, which he remembers...
A cross-cultural tale of grief and dance, Josef Kubota Wladyka’s “Ha-chan, Shake Your Booty!” stems from an intimate place, but ends up emotionally inert thanks to its style. Its key strength...
A tale of withdrawal that feels withdrawn in its telling, Lilian T. Mehrel’s debut “Honeyjoon” traces familial relationships in the wake of loss as a mother and daughter find their way...
Right from its title, Oscar Hudson’s droll debut “Straight Circle” evokes paradoxical oddities, which the writer-director layers atop his deadpan satire on nationalism and geographical boundaries. A tale of two enemy...
Zaur Gasimli’s “Taghiyev: Oil” is the first film in a potential tetralogy, so it should come as no surprise that it plays like an extended first act. Azerbaijan’s 2026 Oscar entry,...
Selected by Tajikistan but ultimately not accepted by the Academy to compete in the Oscar international feature category, “Black Rabbit, White Rabbit” begins ambitiously, with a famous quote from playwright Anton...
Resplendent in costume and production design, but shaky in overall execution, the star-studded fantasy romance “100 Nights of Hero” is the second feature from writer-director Julia Jackman. Based on the graphic...
