Peter Debruge

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‘The Ugly Stepsister’ Review: Scary Scandinavian Cinderella Story Puts the ‘Boo’ in ‘Bibbidi Bobbidi’

Most fairy tales were told and retold countless times before Walt Disney ever got his hands on them, and yet, the sensibility behind such animated classics as “Snow White and the...

International Feature Oscar Race: Read Variety Reviews of Shortlisted Titles and Submissions From More Than 50 Other Countries

Those who keep a close watch on the Academy Awards’ international feature category probably noticed two things this year. First, the overall number of countries submitting for the...

‘Come Closer’ Review: The Real-Life Death of a Brother Fuels a Surprising and Redemptive Take on Grief

Six years ago, Ari Nesher, the teenage son of Israeli director Avi Nesher, was killed in a hit-and-run accident, while riding an electric bicycle. He died on his 17th birthday. The...

‘Murderess’ Review: Ocassionally Intriguing Depiction of Greek Midwife’s Mental Spiral Fails to Cohere

With a title like “Murderess,” there can be little surprise where Greece’s submission to the Oscar international feature category is headed. The third adaptation of Alexandros Papadiamantis’s acclaimed novella follows the...

‘Hard Truths’ Co-Stars Marianne Jean-Baptiste and Michele Austin Pull Back the Curtain on Mike Leigh’s Unique Directing Process

The title of Mike Leigh’s latest movie, “Hard Truths,” suggests a remarkable, career-spanning consistency, tracing back to the stage and screen director’s 1971 big-screen debut, “Bleak Moments.” For more than half...

‘Birdeater’ Review: Effectively Disorienting Ensemble Piece Handles Friendship and Romance with Razor-Sharp Incisiveness

In a rare instance of introspection, Dylan (Ben Hunter), a rowdy bro type in his 20s, beams at the possibility that another person might genuinely be offering the kind of friendship...

‘Oceans Are the Real Continents’ Review: A Lush and Lyrical Vision of Contemporary Cuba in Black and White

There is a ravishing kind of beauty in Tommaso Santambrogio’s lyrical triptych of contemporary Cuban life, “Oceans Are the Real Continents.” With black and white cinematography that privileges an exacting formalism...

Peter Debruge

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