Owen Gleiberman

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‘Until Dawn’ Review: The Interactive Survival Horror Video Game Becomes a Grab Bag of a Slasher Movie in Which Nothing’s at Stake

As indicated by the recent announcement that there’s going to be a “John Wick 5,” death in the movies simply isn’t what it used to be. There’s no longer anything final...

‘Friendship’ Review: Tim Robinson Brings His Masochistic Cringe Comedy to a Scattershot Satire of Male Bonding

When you first see Tim Robinson, he may remind you of a lot of other rubber-faced, madcap-furious walking-id comedians. With his grim leer, turtle-like demeanor, and eyes that pop with oddball...

‘Drop Dead City’ Review: A Gripping Look at How New York City Almost Went Bankrupt in 1975, Foreshadowing the Current Moment

“Drop Dead City” falls into a category of documentary I think of as wonkish but gripping. Produced and directed by Peter Yost and Michael Rohatyn, the film is about the financial...

‘Becoming Madonna’ Review: It Comes on as a Look at Madonna’s Early Days, but Most of This Archivally Rich, Dramatically Scrappy Doc Is Set...

It may be evolving into a genre, but I’m not sure that the becoming school of music documentary holds all that much promise. “Becoming Led Zeppelin,” released two months ago (after...

How Can the Movie Industry Thrive Again? Simple: Make 100 Movies a Year That People Want to See

You know what it’s like when you have a problem, or maybe a few of them, and they start to interlock and overwhelm you, and you’re frozen and can’t take action,...

‘Eric LaRue’ Review: A Drama About the Aftermath of a School Shooting Shouldn’t Have This Much Indie Attitude and This Little Insight

A school shooting is such a cataclysmic event that any attempt to dramatize the aftermath of one is, by definition, a film to take seriously. That said, there’s a right way...

‘Black Bag’ May Be the Apotheosis of Steven Soderbergh’s ‘Little’ Films. It’s Time for Him to Take a Bigger Swing

Certain movie directors — Hitchcock and Tarantino come to mind — constitute a genre unto themselves. Steven Soderbergh was never like that, at least not until he started making his “little” films:...

‘Bob Trevino Likes It’ Review: Barbie Ferreira and John Leguizamo Are Broken Souls Who Meet on the Internet in a Four-Hankie Indie Gem

Once in a while, you see an actor who isn’t held back by the decorum that rules even most good actors. Her emotions don’t stay in check — they spill over...

Owen Gleiberman

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