Owen Gleiberman

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‘Give Me the Ball!’ Review: Ferociously Entertaining Portrait of Billie Jean King as Athletic Superstar and Culture Hero

“Give Me the Ball!,” the title of Liz Garbus and Elizabeth Wolff’s ferociously inspirational and entertaining documentary about Billie Jean King, refers to something that the fabled tennis superstar would say...

‘The Invite’ Review: Olivia Wilde Directs and Stars in a Bravura Dinner-Party Dramedy That’s like ‘Who’s Afraid of Virginia Woolf?’ Redone as Vintage Woody...

When you go into a movie knowing that it’s about two couples who get together for a dinner party, there are certain expectations about what’s going to happen that are just...

‘Carousel’ Review: Chris Pine and Jenny Slate in a Painfully Languid Neorealist Drama of Lonely-Hearts Romance

Who says they don’t make ’em like they used to? “Carousel,” starring Chris Pine and Jenny Slate in a painfully languid neorealist drama of lonely-hearts romance (it’s about love, but more...

The People Who Say Timothée Chalamet’s ‘Marty Supreme’ Character Isn’t ‘Likable’ Sound Like Corrupt Studio Executives

Is the hero of “Marty Supreme” likable? I think he is, and for reasons that include the fact that he’s a scoundrel. (Has there ever been a likable scoundrel in movies?...

Brigitte Bardot Remembered: In ‘And God Created Woman’ and ‘Contempt,’ She Projected a Bold New Image of Feminine Identity and Erotic Power

It has always been easy to trivialize Brigitte Bardot. In 1956, starring in the movie that made her a global sensation, “And God Created Woman,” what she did was not widely...

‘The SpongeBob Movie: Search For SquarePants’ Review: It’s SpongeBob on a Pirate Adventure, but With Most of the Joy Squeezed Out

It might be an exaggeration to say that “The SpongeBob Movie: Search for SquarePants” is the movie that finally squeegees the life out of SpongeBob SquarePants. But watching this friendly yet...

‘The Housemaid’ Review: Sydney Sweeney and Amanda Seyfried in a Twisted Domestic Thriller That’s Over-the-Top and Clever About It

“The Housemaid,” a screw-tightening domestic thriller, is nothing more (or less) than a garishly fun and effective piece of postfeminist pulp. Directed by Paul Feig, from a script (by Rebecca Sonnenshine)...

‘Five Nights at Freddy’s 2’ Review: The Animatronic Killers are Back, and So Is the Slapdash Filmmaking, in the Lousy Sequel to 2023’s Monster...

“Five Nights at Freddy’s 2” is a supernatural video-game slasher movie of astonishing clunky crudeness. No, the movie isn’t dumb fun. It’s flat-out bad, maybe even worse than the first film....

Owen Gleiberman

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