I’ve never been wild about the term “faith-based movie” — or, at least, the idea that it should only be applied to PG-rated calamity-meets-redemption Sunday-school soap operas micro-targeted to Evangelicals. “Song...
The latest poster for “Springsteen: Deliver Me from Nowhere” features a painting of Bruce Springsteen in concert, viewed from the side, his index finger held high in the air. If you...
It’s no big shock to see that commentators on the right, the far right, and the extreme alt-right (I think that covers the waterfront), from Ben Shapiro to film critic Armond...
When Kathryn Bigelow’s nuclear countdown thriller “A House of Dynamite” premiered at the Venice Film Festival in early September, it was greeted with a chorus of praise. Just about every critic...
I’m all for a documentary that celebrates its subject, but “Stiller & Meara: Nothing Is Lost” is a movie that takes what it’s about and holds it up to the light...
She’ll always be Annie Hall. The first time you see Diane Keaton, who died on Saturday at 79, in Woody Allen’s great touchstone of a romantic comedy, she’s walking into a...
The first two movies directed by Bradley Cooper revealed a couple of key things about him. The most essential is that he’s a born filmmaker — not just a good one...
“Should I fight or should I film?” No, that’s not a Clash outtake. It’s what Artem Ryzhykov asked himself as he observed the Maidan Revolution in Kyiv in 2014 — a...
