Home Authors Posts by Owen Gleiberman

Owen Gleiberman

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‘Michael’ May Be ‘Family-Friendly,’ but It’s a Movie That Taps Into Michael Jackson’s Most Powerful Creative Fuel — His Anger
Entertainment

‘Michael’ May Be ‘Family-Friendly,’ but It’s a Movie That Taps Into Michael Jackson’s Most Powerful Creative Fuel — His Anger

Owen Gleiberman -
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‘Deep Water’ Review: Renny Harlin’s Double-Dip Disaster Movie — Plane Crash + Shark Thriller — Has His Signature Schlock Touch
Entertainment

‘Deep Water’ Review: Renny Harlin’s Double-Dip Disaster Movie — Plane Crash + Shark Thriller — Has His Signature Schlock Touch

Owen Gleiberman -
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‘Everyone Is Lying to You for Money’ Review: Ben McKenzie’s Knife-Sharp Documentary Takedown of Cryptocurrency
Entertainment

‘Everyone Is Lying to You for Money’ Review: Ben McKenzie’s Knife-Sharp Documentary Takedown of Cryptocurrency

Owen Gleiberman -
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‘Thrash’ Review: It’s Netflix and Chomp, as Phoebe Dynevor Stars in a Familiar but Gruesomely Competent Shark Thriller
Entertainment

‘Thrash’ Review: It’s Netflix and Chomp, as Phoebe Dynevor Stars in a Familiar but Gruesomely Competent Shark Thriller

Owen Gleiberman -
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‘Faces of Death’ Review: A ’70s-Style B-Horror Movie Taps into the Growing Appetite for Horror That’s ‘Real’
Entertainment

‘Faces of Death’ Review: A ’70s-Style B-Horror Movie Taps into the Growing Appetite for Horror That’s ‘Real’

Owen Gleiberman -
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‘Dog Day Afternoon’ Broadway Review: Jon Bernthal Takes the Al Pacino Role in a Canny Piece of Stagecraft That Can’t Rival the Movie’s Haunting Power
Entertainment

‘Dog Day Afternoon’ Broadway Review: Jon Bernthal Takes the Al Pacino Role in a Canny Piece of Stagecraft That Can’t Rival the Movie’s Haunting Power

Owen Gleiberman -
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‘The Last Critic’ Review: A Captivating Portrait of Robert Christgau, the Brilliant Mad Professor of Rock Critics, and How He Made the Grade
Entertainment

‘The Last Critic’ Review: A Captivating Portrait of Robert Christgau, the Brilliant Mad Professor of Rock Critics, and How He Made the Grade

Owen Gleiberman -
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‘The AI Doc: Or How I Became an Apocaloptimist’ Review: A Scary, Dizzying and Essential Deep Dive into the AI Revolution
Entertainment

‘The AI Doc: Or How I Became an Apocaloptimist’ Review: A Scary, Dizzying and Essential Deep Dive into the AI Revolution

Owen Gleiberman -
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‘Tow’ Review: Rose Byrne Plays Another Charismatic Pill — a Seattle Homeless Woman Fighting to Get Her Car Back
Entertainment

‘Tow’ Review: Rose Byrne Plays Another Charismatic Pill — a Seattle Homeless Woman Fighting to Get Her Car Back

Owen Gleiberman -
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‘Forbidden Fruits’ Review: The Salesgirls Are Witches in a Depraved Satirical Thriller That’s Like ‘Mean Girls’ Meets ‘The Craft’ Touched with Something Darker
Entertainment

‘Forbidden Fruits’ Review: The Salesgirls Are Witches in a Depraved Satirical Thriller That’s Like ‘Mean Girls’ Meets ‘The Craft’ Touched with Something Darker

Owen Gleiberman -
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