Why turn “Dog Day Afternoon,” one of the greatest and most iconic of New Hollywood movies, into a Broadway play? It’s not the first legendary film of the ’70s to get...
As a critic, I should probably take offense at the title of “The Last Critic.” The movie is a captivating portrait of Robert Christgau, the legendary music writer who was one...
“The AI Doc: Or How I Became an Apocaloptimist” is a scary, dizzying and essential documentary. If you have any interest in artificial intelligence (which is to say: the future), you...
The “Marty Supreme” question that got old in about five minutes — was the title character likable enough? —shouldn’t even be allowed in the same room with Rose Byrne. From the annoyingly...
If you see one spicy depraved satirical thriller this year that’s a cross between “Mean Girls” and “The Craft” and something far darker, by all means make that movie “Forbidden Fruits.”...
In the best of all worlds, the Oscars are exciting: fun and suspenseful, moving and meaningful. At their most supreme, they leave you with the feeling that movies matter. In the...
SXSW may be the only film festival where the quintessential movies that play there aren’t just defining — they’re practically a genre. Here are some of the qualities of what has...
“Ready or Not,” the 2019 horror-comedy hit that turned “The Most Dangerous Game” into an aristocratic Victorian funhouse slasher movie, was nothing more (or less) than a well-executed piece of ultraviolent...
