Jessica Kiang

Advertisment

‘Vermiglio’ Review: A Grave and Gorgeous Hymn to Life and Death in a Midcentury Italian Alpine Village

With head bowed, over clasped hands, Italian director Maura Delpero‘s quietly breathtaking “Vermiglio” unfolds from tiny tactile details of furnishings and fabrics and the hide of a dairy cow, into a...

‘I’m Still Here’ Review: Walter Salles’ Profoundly Moving Sense-Memory Portrait of a Family — and a Nation — Ruptured

Walter Salles‘ deeply poignant “I’m Still Here,” the Brazilian director’s return to his homeland and to the filmmaking form that yielded his Oscar-nominated “Central Station,” begins where maybe every movie set...

‘Cloud’ Review: An Online Grift Has IRL Consequences in Kiyoshi Kurosawa’s Compellingly Wonky Thriller

Erratic, prolific Japanese director Kiyoshi Kurosawa (“Pulse,” “Cure”) has, at his best, a peculiar genius for finding strangeness — often malevolence — gathering like dust in the shadowy corners of banal...

‘Battleground’ Review: The Cure is Often Worse Than the Disease in a Turgid WWI Medical Drama

1918 in Italy was, a title reminds us, “the year of victory.” Yet the first images in Gianni Amelio‘s WWI-set “Battleground” are anything but triumphal: a pile of bloodied soldiers’ bodies...

Jessica Kiang

Advertisment