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‘Predators’ Review: David Osit’s Quietly Trenchant Documentary Asks What Truth Came Out of a True-Crime Phenomenon

If “To Catch a Predator” taught us anything, it was about the hollow authority asserted by a man in a well-cut suit. Between 2004 and 2007, NBC’s pedophile-baiting “Dateline” spinoff captured...

‘The Colors Within’ Review: Naoko Yamada’s Exploration of Youthful Friendship Sings with a Warm and Inviting Spirit

Of all of the phrases that could begin a light-hearted animated film, the Serenity Prayer popularized by Alcoholics Anonymous is surely among the least likely. But “The Colors Within,” which opens...

‘The New Year That Never Came’ Review: A Tragicomic Tangle of Romanian Lives at the End of an Era

Many a short film that is later expanded into a feature feels reverse-engineered for that specific purpose: an eye-catching taster of what is clearly intended as a larger work, though perhaps...

‘Matt and Mara’ Review: Two Writers Rekindle Their College Bond In a Subtly Slippery Relationship Drama

Thirty-five years after “When Harry Met Sally…” asked the question of whether straight men and women can be friends without sex getting in the way, “Matt and Mara” rephrases it with...

‘Here’ Review: Bas Devos’s Exquisite Ode to Human Connection Via the Natural World

The city of Brussels already has a more vivid big-screen legacy than some (it’s the home of one Jeanne Dielman, after all) but it may have found its closest, most devoted...

‘Bad Behaviour’ Review: Jennifer Connelly Finds No Rest on a Spiritual Retreat In Alice Englert’s Needling Debut

On the face of it, Lucy does not seem like the kind of person who would go on a spiritual retreat. She’d probably agree with that herself. But she’d like to...

‘Dog on Trial’ Review: A Movie-Star Mutt Bounds Off With This Canine Courtroom Comedy

Can animals act? Sensible people would say not: Our four-legged friends can’t read a script or construct a character, and if they come across charismatically on screen, that’s simply down to...

‘The Antique’ Review: An Unlikely Bond Blossoms in a Hostile Climate in Georgia’s Stately Oscar Submission

In Rusudan Glurjidze‘s weathered, wintry sophomore feature “The Antique,” the title could refer to any number of withering relics: the handsome, richly patinaed items of furniture that Georgian immigrant Medea (Salome...

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