Gordon Cox

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How the Seven Deadly Sins Got Writer Leslye Headland to Broadway

For Leslye Headland, the well-received Broadway play “Cult of Love” (pictured above) serves as a turning point and a culmination. Listen to this week’s “Stagecraft” podcast below: For the last 15 years...

How Joy Woods Became a ‘Gypsy’ Superfan

The actor Joy Woods never thought much about “Gypsy” — at least not until she was cast in the show opposite Audra McDonald in one of the buzziest Broadway revivals of...

‘All In: Comedy About Love’ Review: Stars Align on Broadway for Offbeat Tales of Love Connections

There’s a cozy ease that permeates “All In,” in which a rotating cast of celebs narrates, with both flourish and offhandedness, the humorous and offbeat essays of The New Yorker writer...

‘Eureka Day’ Review: Broadway Comedy Takes on the Vaccine Debate and Satirizes Private School Pieties

“You can always spot a Eureka Day kid, because at soccer games, they’re the ones who cheer when the other team scores.” So says Carina (Amber Gray), the parent of a...

How The Shed Brought Kenneth Branagh, Stephen Sondheim and Ralph Fiennes All Under One Roof

The Shed isn’t a Broadway theater, but in the relatively short time the venue has been in operation, it’s hosted some of New York City’s starriest stage endeavors—from Stephen Sondheim’s final...

‘Death Becomes Her’ Review: A Laugh-Filled, Tuneful Broadway Musical to Die For

In the new Broadway musical “Death Becomes Her,” a so-so 1992 movie gets a stunning makeover. Headlined by Meryl Streep, Goldie Hawn and a slew of special effects, the film followed...

Gordon Cox

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