Gordon Cox

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‘All In: Comedy About Love’ Review: Stars Align on Broadway for Offbeat Tales of Love Connections

There’s a cozy ease that permeates “All In,” in which a rotating cast of celebs narrates, with both flourish and offhandedness, the humorous and offbeat essays of The New Yorker writer...

‘Eureka Day’ Review: Broadway Comedy Takes on the Vaccine Debate and Satirizes Private School Pieties

“You can always spot a Eureka Day kid, because at soccer games, they’re the ones who cheer when the other team scores.” So says Carina (Amber Gray), the parent of a...

How The Shed Brought Kenneth Branagh, Stephen Sondheim and Ralph Fiennes All Under One Roof

The Shed isn’t a Broadway theater, but in the relatively short time the venue has been in operation, it’s hosted some of New York City’s starriest stage endeavors—from Stephen Sondheim’s final...

‘Death Becomes Her’ Review: A Laugh-Filled, Tuneful Broadway Musical to Die For

In the new Broadway musical “Death Becomes Her,” a so-so 1992 movie gets a stunning makeover. Headlined by Meryl Streep, Goldie Hawn and a slew of special effects, the film followed...

‘Tammy Faye’ Review: With Forgettable Elton John Score, Televangelist Broadway Musical Doesn’t Find the Light

It takes more than a holy spirit and revivalist verve to make “Tammy Faye” divinely suited for musical theater. It would take a creative team knowing what their show wants to...

‘Maybe Happy Ending’ Review: Broadway’s Deeply Moving Robot Musical, Starring Darren Criss, Teaches Us How to Be Human

Are we human, or are we… robots? “Maybe Happy Ending,” a Korean musical now making its Broadway debut, asks this exact question — or in some ways, asks the inverse. It...

Gordon Cox

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