Rachel Morrison — the first woman to earn an Oscar nomination for cinematography — often picked up a camera and entered the ring to do handheld shots while making “The Fire...

To make Paramount and Hasbro’s first fully CG-animated Transformers movie, Academy Award-winning director Josh Cooley (“Toy Story 4”) turned to Industrial Light & Magic, the visual effects studio behind the franchise’s...

“Gladiator II” producers Douglas Wick and Lucy Fisher will be presented with the Advanced Imaging Society‘s Harold Lloyd Award, Feb. 7 during the AIS Lumiere Awards luncheon at the Beverly...

Amazon MGM Studios will join the lineup of CinemaCon main stage studio presentations for the first time when the theater owners confab returns to Las Vegas’ Caesars Palace from March 31...

Following a string of changes in recent years as Technicolor Group restructured its business around visual effects, the company has appointed industry vet David Conley as the new president of its...

Amid ongoing restructuring, The Academy of Motion Picture Arts and Sciences has revamping its Science and Technology Council with a format described as “more agile and strategically focused,” led by newly-named...

The Animation Guild (IATSE Local 839) and AMPTP reached a tentative deal for a new three-year contact, the Guild has confirmed. TAG, which represents an estimated 5,000 artists, technicians,...

Cinematographer Michał Dymek’s stark black-and-white lensing of “The Girl With the Needle” won the EnergaCamerimage Golden Frog, with special mention going to director Magnus von Horn, at the cinematography festival’s closing...