alissasimon

Advertisment

‘Take My Breath’ Review: Tunisia’s Good-Looking Oscar Submission Explores Intersex Identity

Tunisia has made relatively few submissions for the international feature Oscar, yet thanks to female helmer Kaouther Ben Hania, the country recently earned a nomination with “The Man Who Sold His...

‘6 A.M.’ Review: A Time-Ticking Thriller in Which the Protagonist’s Freedoms Prove Illusory 

In his second theatrical film, multi-hyphenate Mehran Modiri, one of Iran’s most beloved TV satirists, turns his hand to the thriller genre with mixed results. He writes, directs and performs in...

‘Yalla Parkour’ Review: The Fearless Parkour Athletes of Gaza Defy Gravity and the Territory’s Destruction

Two differing views of Gaza — a dreamy, nostalgic one and a harsher, lived one — come together in a not completely satisfying way in “Yalla Parkour,” winner of DOC NYC’s...

‘How to Make Millions Before Grandma Dies’ Review: Congenial Dramedy Taps Into Filial Piety and the Need to Cherish Those We Love

Thai blockbuster “How to Make Millions Before Grandma Dies” is a sentimental comedy-drama that mixes filial piety and avaricious schemes all the way to a multi-hankie finale. Filled with family complications,...

‘Old Fox’ Review: A Mostly Compelling Taiwanese Melodrama Offers an Important Lesson About Values 

Set in Taipei, against the backdrop of the economic bubble of 1989, the Taiwanese international feature Oscar submission “Old Fox” is a relatively engaging popular melodrama about altruism vs. self-interest and inequality...

‘Drowning Dry’ Review: Subtle Lithuanian Drama Depicts a Family Tragedy Across Fragmented Time and Points of View

Engaging, yet tantalizingly withholding, the contemporary drama “Drowning Dry” offers a nonlinear portrait of two sisters, their marriages and children while depicting a family tragedy during a summer holiday. As it...

alissasimon

Advertisment