For a show about men — and some women, but mostly men — working to build the future, “The Audacity” feels a little old-fashioned. That’s mostly a good thing: This ambitious, sprawling,...
If you thought “The Boys” was dark before, just remember that the penultimate season of the pitch-black superhero satire aired prior to the reelection of President Donald J. Trump. That chapter,...
Next month, the “Star Wars” franchise will return to theaters after an astonishing seven-year absence with Jon Favreau’s “The Mandalorian and Grogu,” a feature spinoff of the director’s hit Disney+ series...
I have a pet theory that horror, as a genre, is an awkward fit for television. The tension necessary for effective scares is difficult to maintain over several hours; the mystery...
“The Comeback” is everywhere now. Once a pop cultural Cassandra doomed to swift cancellation after a single season on HBO in 2005, the brainchild of comic actor Lisa Kudrow and veteran...
“Marshals” is a new kind of “Yellowstone” spinoff. Rather than a prequel series tracing the Dutton family back through generations of Western migration and conflicts over land, it’s a contemporary show...
It is both an ineffective sales pitch and generally accurate to call “DTF St. Louis” the unsexiest erotic thriller ever made. The HBO limited series, all seven episodes of which were...
SPOILER ALERT: The following story contains plot details from “Points of Emphasis,” Season 4, Episode 7 of “Industry,” now streaming on HBO Max. Whitney Halberstram (Max Minghella) is in...
