When cinematographer Daria D’Antonio first stepped into the role of director of photography on Paolo Sorrentino’s film “The Hand of God” after working with him for many years (including as a camera operator on “The Great Beauty”), the focus was on finding the truth in the ’80s set coming-of-age drama.
“We were looking for a close adherence to an experience of Paolo’s,” D’Antonio tells Variety of working on the Oscar-nominated film. But despite her latest film with the Italian auteur once again being set in Naples, their latest collaboration, “Parthenope,” required a more poetic and less realistic approach.
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In the classic Parthenope
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