There’s a thin, squiggly tattoo running down the forearm of diligent hospital nurse Floria, always visible past the short sleeves of her royal-blue scrubs, but hard to really get a look at, since her hands are constantly in motion, doggedly busy. Occasionally, as we follow her through the exhausting nighttime rounds that make up “Late Shift,” we catch a glimpse of the ink and wonder what it is, what it means, what it says of this woman’s life outside long hours of caring for strangers. Perhaps even Floria, bleary after hours on her feet, sometimes spots it and is reminded of who she is. Petra Volpe‘s pacy, empathetic workplace
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