There’s a scene in “The Devil Wears Prada” where Meryl Streep’s Miranda Priestly is fighting to keep her top fashion magazine job. Over coffee in Paris, Priestly slips a piece of paper to her boss containing the names of “designers, photographers, editors, writers, models — all of whom found by me, nurtured by me and have promised me they will follow me whenever and if ever I choose to leave.” Naturally, the boss reconsidered and Priestly won the day.
A stylist friend recently recalled this scene to me in the context of Donatella Versace, the lauded designer (and star in her own right) who has been the face of her
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