In the films and television shows he’s made as a writer-director, Edward Burns has never not made things personal, but retaining the same level of creative control that he had on his breakthrough “The Brothers McMullen” has often required working on modest budgets and with younger casts and crews, naturally making the work itself move farther away from who he is now. In a marketplace starved of thoughtful adult dramas, that makes his return to center stage in “Millers in Marriage” a welcome one, as Burns mines territory he’s familiar with after turning 50.
“All I’m looking for is a stable relationship with a woman my own age,” Burns’
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