The Broadway play about content moderation

EntertainmentTalking with writer Max Wolf Friedlich about his Broadway play that confronts the horrifying work of online content moderation.

By Kevin Nguyen, a features editor at The Verge, where he publishes award-winning stories about labor, business, and policing. Previously, he was a senior editor at GQ.

Photo: Emilio Madrid

When I spoke with Max Wolf Friedlich, he was calling from a place I wouldn’t have expected to find a buzzy young playwright with a show currently featured in the US’s biggest theater neighborhood. He was at a camp for live-action roleplay, better known as larping. 

But more on that later. His new play, Job, is the closest thing you’ll find to

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