The Critics Are Raving (Mad): ‘Megalopolis’ Scandal Reminds How Blurbs Are Used and Misused in Movie Advertising

This week, Lionsgate released — and then promptly recalled — an audacious trailer for “Megalopolis,” an ugly yet undeniably ambitious late-career monstrosity from Francis Ford Coppola.

Normally, trailers come padded with hyperbolic quotes from less-than-credible critics — “quote whores,” we call them — plucked out of context and punched up with exclamation marks (a form of punctuation seldom if ever used by critics in print, but ubiquitous in movie advertising).

“An edge-of-your-seat thrill ride!” (“Any Given Sunday”)

“The best Western since ‘Unforgiven’!” (“3:10 to Yuma,” “Hostiles” or “Bone Tomahawk,” depending on who you ask)

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“Two thumbs way up!” (professional

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