The court of Louis XVI is stripped to a faded, festering husk of itself in “The Flood,” a stark study of the king’s last days in which the luxurious trappings of French monarchy disappear before our eyes — until only its literal architecture remains. An impressively severe second feature by Italian director Gianluca Jodice, this is a brisk rejoinder to past cinematic portraits of Louis XVI and Marie Antoinette that have rendered even their downfall in the most lavish way possible.
Such spectacle can have its own ironic purpose, as with the pointed whipped-cream excess of Sofia Coppola’s 2006 vision. But here, as played by Guillaume Canet and
→ Continue reading at Variety
