I’ve never seen a line for the men’s room at the American Cinématheque as long as the one that confronted me at intermission of the marathon screening of Zack Snyder’s “Rebel Moon” this weekend. (Keep in mind, by that point, the crowd had been holding its collective bladder for three and a half hours, with the second half still to come.) Meanwhile, there were so few women in attendance that the ladies’ room had practically no wait at all — a phenomenon that said everything about the crowd that had turned out for a big-screen look at the 373-minute director’s cut of Snyder’s two-part space opera.
To call this
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