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The office is not the most promising setting for films. Desk warriors can occasionally be caught up in dramatic stories, whether journalists (“Spotlight”), lawyers (“Dark Waters”) or whistleblowers (“The Informant”). The greed and fear of high finance (“Dumb Money”) have an enduring appeal. But office-based blockbusters are still pretty thin on the ground: typing, malfunctioning toilets and meetings are just not that exciting.
There is a simple fix. Take film titles that have already done well with cinema-goers and tweak their
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